My academic essay, “Mapping Desire in Chaucer’s ‘To Rosemounde,’ Shakespeare’s ‘Rape of Lucrece,” and Donne’s ‘A Valediction: Of Weeping,'” now appears in Peregrinations: A Journal of Medieval Art and Architecture 6:3 (2018): 105-29.
“The poets Geoffrey Chaucer, William Shakespeare, and John Donne were aware of the existence of medieval world maps. Evidence from their writings clearly shows that the poets were familiar with the genre and had seen cartographic examples of it. They may also have read prose descriptions of the whole world that sometimes journeyed with, and sometimes journeyed separately from, cartographic mappaemundi. The poets each used such maps metaphorically in their poems about women, juxtaposing woman- as-map in their reader-viewer’s inner eye in poetic contexts they created to represent male desire. That desire is figured in a would-be lover’s lament that turns to satiric complaint in Chaucer’s “To Rosemounde” and in a conqueror’s lust that turns to violent assault in Shakespeare’s “Rape of Lucrece,” while in Donne’s “A Valediction: Of Weeping,” it is expressed with tender empathy in an increasingly complex, metaphorical meditation on the tears shed by both lover and beloved on an occasion of parting.1 In order to understand this thematic sexualization of the mappaemundi, it is relevant first to consider the contemplative and educational functions of world maps in medieval Christian culture.”